There is all sorts of annoying yammering and arm waving over the technical aspects of photography - get any group of painters together and they aren't going to sit around and talk about brushes for hours on end.
Generally speaking if I bracket, and am mindful when I hit extremes - like the one on the left - stuff works out pretty well. I don't have to spend hours in a darkroom playing with paper brands, grades, and developers order to get a print that has a solid range of tones - so why spend hours and hours calibrating and metering a scene to death...
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